How about a modern marvel amidst historic echoes? That’s Untitled Landscape, a sculpture by David von Schlegell. It stands at Harbor Towers Plaza. This plaza is on Boston’s waterfront. Once, this area was full of old docks and warehouses.
The address, 85 East India Row, evokes images of clipper ships. They carried tea and spices. But today, concrete towers and stainless steel art stand here. Untitled Landscape offers a striking contrast.
Created in 1972, Untitled Landscape consists of four steel units. They are bent to form obtuse angles. These shapes face each other in a square. Some people mistake it for solar panels.
Von Schlegell’s work has been catalogued in the Smithsonian public art database. It describes the sculpture as four rectangular steel units. These are formed into obtuse angles. They sit facing each other.
Imagine being a mouse lost in Starbucks. That is what one person felt when seeing it. Dwarfed by rows of enormous shiny MacBooks. But the sculpture predates the rise of personal computers. Was it a vision of the future?
Untitled Landscape invites interpretation. What do you see in these angled forms? Do they echo the harbor’s maritime past? Or do they speak to the city’s modern ambition? It is a conversation starter.
The sculpture prompts questions about art. It also touches on the city’s transformation. It makes you wonder about the artist’s intent. It also makes you think about your own place in the world.
So, take a moment to consider Untitled Landscape. Let it spark your imagination. Let it connect you to Boston’s ever-evolving story. It’s a piece of art that keeps on giving. It challenges our perception. It enriches our experience of this unique urban space.