“A sacred gateway,” whispered a visitor, gazing at the torii of Tamasaki Shrine. “Between our world and the divine.” Tamasaki Shrine stands in Ichinomiya, Chiba Prefecture. It holds a place in the ancient “Engi Shinki Jinmyocho” archives from the Heian Era. The shrine’s exact origins are shrouded in mystery. However, we know the current structure dates back to a reconstruction in 1687. Within its hallowed halls resides Tamayori-hime no mikoto. She is revered as the mother of Emperor Jimmu, the legendary first emperor of Japan, and the daughter of the sea-dragon god, Watatsumi. Tamasaki Shrine is more than just a historical landmark. It is a vibrant hub of spiritual practice. Observe the traditional Shinto rituals of prayer. Bow once, offer a coin, bow deeply twice, clap twice, and offer your silent prayer. As you approach the shrine, notice the towering torii gate. This symbolic gateway separates the mundane from the sacred. A second torii further emphasizes this transition into the spiritual realm. Within the shrine precinct, stands a magnificent Japanese white pine, estimated to be 150 years old. The evergreen pine, with its constantly renewing leaves, symbolizes perpetual youth and longevity. Listen closely. You might hear the gentle trickle of the Shinkinkutsu. Water drips rhythmically from jars buried underground, creating a soothing melody. The Kagura-den, a hall for special prayers, stands as a testament to the shrine’s continued importance. Nearby, a memorial hall honors the war dead. Look for the colorful ema, wooden plaques where worshippers write their wishes. See the vibrant omikuji, paper fortunes, tied to the strings, fluttering in the breeze. Tamasaki Shrine’s influence extends beyond its walls. Six kilometers southeast, on Tsurigasaki beach, stands another torii. This marks the spot where Tamayori-hime no mikoto makes her annual visit to meet other gods. It is a testament to the deep connection between the shrine and the surrounding land and sea.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to