Kakushinni, Shinran’s youngest daughter, played a pivotal role in the story of Nishi Hongwanji. Upon her father’s death in 1263, his remains were interred at Otani. Years later, in 1272, Kakushinni, with the support of her father’s followers, moved his ashes to the grounds of her residence at Yoshimizu. A hexagonal chapel was built at Nishi Hongwanji and an image of Shinran enshrined. Nishi Hongwanji developed from this modest structure. It stands as a testament to the devotion of Shinran’s followers and the enduring legacy of Jodo Shinshu Buddhism. Kakushinni’s son, Kakue, was appointed to tend the mausoleum. In 1310, Kakue’s son, Kakunyo, succeeded him. Kakunyo further solidified Nishi Hongwanji’s role in the Jodo Shinshu movement. He gained recognition for it as a temple and introduced the name Hongwanji, meaning “Temple of the Primal Vow.” Disaster struck in 1336 when Nishi Hongwanji was burned during a conflict. Kakunyo rebuilt it. Over time, it developed into the two-hall format seen today, the Founder’s Hall and the Hall of Amida Buddha. Nishi Hongwanji’s journey continued through turbulent times. It was attacked and burned again in 1532, relocated, and faced challenges during the rise of Oda Nobunaga. Finally, in 1591, Toyotomi Hideyoshi granted land for the temple in Kyoto, marking Nishi Hongwanji’s return to the city. The temple we see today is a result of reconstructions after earthquakes and fires, with many structures dating back to the 16th-18th centuries. These buildings stand as National Treasures and Important Cultural Properties, a testament to Nishi Hongwanji’s enduring vitality and creativity. The entire precinct is a UNESCO World Cultural Heritage Site, showcasing its historical and cultural significance.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to