“Paradise Row” once lent its name to this very spot. Paradise Works emerged in April 2017. It stands on the border where Salford meets Manchester.
Paradise Works is now a vibrant hub for artists. But why here? What’s the story behind this creative space?
This building, a former mill used for storage, found new life. Artists Hilary Jack and Lucy Harvey secured the space. They struck a deal with Urban Splash, a property developer. With support from Arts Council England, they transformed the upper floors. Paradise Works became studios and an exhibition space. Its launch coincided with The Manchester Contemporary art fair.
But the name, Paradise Works, hints at a deeper history. “Paradise Row,” the old road name, reflects a time when deprived areas received hopeful names. Think Mount Pleasant.
Thirty artists now call Paradise Works home. Their presence addresses a critical shortage of studio space. Hilary Jack once belonged to Rogue, a large studio group. Rogue occupied Crusader Works but was forced to relocate when the building was sold. Manchester City Council helped Rogue find a new home. However, the new location wasn’t suitable for all artists, including Jack.
Jack needed to be close to the city center for her site-specific work. Space was scarce. Other artist spaces like Hotspur Press building and NY Space had vanished. Queer art duo Penthouse even lost their premises. Paradise Works filled a void, drawing artists from diverse backgrounds.
Luck and connections played a role in Paradise Works’ creation. Jack learned about the building through The Biospheric Project. Tom Bloxham, founder of Urban Splash, offered the space at a reduced rent. He has always supported arts and culture.
But the relationship between artists and developers raises questions. Are artists at the mercy of property developers? Does their presence contribute to gentrification?
Urban Splash is building modular housing nearby. Could Paradise Works make the area more desirable? Jack acknowledges this possibility. She believes collaboration is necessary. Urban Splash has promised long-term support.
Salford City Council is developing a cultural strategy. Paradise Works hopes to participate. A “cultural corridor” is emerging in Salford. Places like Islington Mill contribute to this corridor. Bill Campbell transformed Islington Mill into an artist hub. His influence has radiated globally.
Paradise Works launched with the “Politics of Paradise” exhibition. It continues to host screenings and exhibitions. The goal is sustainability.
Paradise Works stands as a testament to artistic resilience. It is a collaborative spirit in a changing city. It is located on East Philip Street. So, next time you hear the name Paradise Works, remember its story. Remember the artists, the challenges, and the hope for a sustainable future.