Kapelle Everloh

Gazing upon the Kapelle Everloh, can you hear the echoes of hymns sung over a century ago? This charming neo-Gothic brick chapel, nestled in the heart of Everloh, a quaint village now part of Hanover, has witnessed generations come and go, their lives intertwined with its story. Kapelle Everloh stands as a testament to faith and architectural beauty, a true gem of the Hannoversche Schule. Its history stretches back further than its current structure. A previous chapel, dating back to 1599, served the community. However, by the late 19th century, it proved too small and dilapidated for the growing congregation. Enter Conrad Wilhelm Hase, a renowned architect of his time. In 1873, he received the commission to design a new chapel, one that could accommodate 100 souls. On May 23, 1878, the Kapelle Everloh we see today opened its doors, its pointed arches and elegant brickwork a striking example of neo-Gothic style. Inside, a remarkable piece of history awaits. The late Gothic altarpiece, crafted around 1520, is attributed to the Wolter/Benedikt-Meister of Hildesheim. Originally from Wennigsen Monastery, it depicts the Holy Kinship, a gathering of men, women, and children around a table, symbolizing the extended family of Jesus. While two wings of the altarpiece have been missing since 1877, the remaining central piece showcases Joseph, Mary, Jesus, Saint Anne, and the families of Mary Cleophas and Mary Salome. Flanking them on the side panels are figures of St. Augustine and St. Barbara. The chapel also features a unique baptismal font. This octagonal, goblet-shaped sandstone font, dating back to the first half of the 17th century, is adorned with cherubic children’s and angels’ heads. Adding to the chapel’s rich history, the bell, cast in 1670 by Hanoverian bell founder Ludolf Siegfriedt, still rings out its clear tone, a link to Everloh’s past. Its inscription commemorates the residents of Everloh who commissioned it for the glory of God. A second bell, added in 1960, chimes in with a contrasting tone. The 1957 Paul Ott organ complements these historical pieces. As you stand before Kapelle Everloh, take a moment to appreciate its enduring presence in the community. It is more than just a building; it is a repository of stories, a place of solace, and a symbol of Everloh’s heritage.