Rejected. That’s how the São Pedro da Afurada Sculpture began its story. In 1955 sculptor Altino Maia created ten images for the newly opened São Pedro da Afurada church. Bold for their time these sculptures the “Black Saints” were rejected by the community. They ended up hidden away in the sacristy.
Years passed. The São Pedro da Afurada Sculpture remained unseen. Its artistic merit unrecognized. Then a project called “Santos d’Afurada Art Devotion and Community” changed everything. This project involved the University of Porto’s Faculty of Letters and the Vila Nova de Gaia council. They wanted to understand the rejection. They aimed to bring the São Pedro da Afurada Sculpture to light.
Twenty-one students studied the sculpture. They investigated its creation. They explored the reasons for the community’s disapproval. They uncovered the story of Father Joaquim. He was the priest who had protected the São Pedro da Afurada Sculpture for decades. He championed the artist’s vision. His departure led to the sculptures’ hiding.
The São Pedro da Afurada Sculpture’s artistic value is undeniable. Its unique style contrasted with traditional religious art. This modern approach likely shocked the community. Some called them “Black Saints” others “Santos das Rodilhas”.
The project culminated in an exhibition. For the first time in over forty years the São Pedro da Afurada Sculpture was displayed. The Bishop of Porto praised the sculpture’s artistic merit. He thanked the university for its work in preserving and studying this cultural heritage. The exhibition also showcased the artist Altino Maia’s other works. The São Pedro da Afurada Sculpture finally received its due. The community rediscovered its worth. The São Pedro da Afurada Sculpture’s story is one of rejection perseverance and eventual triumph. It reminds us that art can challenge conventions and that sometimes beauty is only revealed in time.