Did you ever imagine a house so brightly lit it caused a city-wide stir? Right here at Casa Porro-Lambertenghi, that’s exactly what happened. In 1818, Milan’s streets were shrouded in darkness, illuminated only by flickering candles and oil lamps. Then, a peculiar glow emanated from the windows of Casa Porro-Lambertenghi. Count Luigi Porro-Lambertenghi, a man with a passion for innovation, had imported a gas lighting apparatus from England. Casa Porro-Lambertenghi became the first residence in Milan, and indeed Lombardy, to be illuminated by gas. Each lamp shone with the brilliance of six candles. It was a marvel, a spectacle that had everyone talking. The news spread like wildfire through the city. This wasn’t just a technological advancement; it was a symbol of progress. Porro-Lambertenghi, along with his friend Federico Confalonieri, dreamed of expanding this illumination throughout their neighborhood, even envisioning a gas-lit Teatro alla Scala. Their ambitious plan, however, was thwarted by Austrian authorities who were wary of such progressive ideas. Casa Porro-Lambertenghi was more than just a brightly lit residence. It was a hub of intellectual and political activity. The very first draft of “Il Conciliatore”, a prominent literary journal, was penned within these walls in 1818. The journal, financed by Porro-Lambertenghi and Confalonieri, aimed to spark cultural awakening and challenge the Austrian rule. Notable figures like Silvio Pellico, Giovanni Berchet, and even Lord Byron frequented Casa Porro-Lambertenghi, engaging in lively discussions and debates. Pellico, in fact, was a tutor to two of Porro-Lambertenghi’s five children. He also translated Frederick Accum’s treatise on gas lighting for the count. In 1819, inspired by English educational methods, Porro-Lambertenghi and the poet Carlo Porta established the “Sant’Agostino” school within Casa Porro-Lambertenghi. This school offered free evening classes, striving to promote literacy and national consciousness among the masses. However, the Austrian authorities, threatened by the potential for dissent, eventually shut it down. Casa Porro-Lambertenghi stands as a testament to Porro-Lambertenghi’s unwavering spirit of innovation and his commitment to a free and unified Italy. His activism, however, came at a price. In 1820, he was arrested and sentenced to death for his involvement with the Carbonari, a secret revolutionary society. He escaped this fate by choosing exile, eventually returning to Milan in 1840. So, as you stand before Casa Porro-Lambertenghi, remember it not just as a beautiful neoclassical building, but as a beacon of progress, a cradle of ideas, and a symbol of the struggle for a brighter future.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to