Wat Buak Khang

Hidden within Chiang Mai, Wat Buak Khang unveils a captivating blend of Lanna and Burmese artistry. Wat Buak Khang’s viharn, built in 1837, showcases the classic stepped roof of the Lanna style. Notice the intricate details like the Chofa bird and Hong goose adorning the gables, hinting at Central Thai influences. The serpent guardians flanking the entrance steps, with their unique bird beaks, add to the temple’s mystique. Inside, the pulpit, a gift from Princess Chamarirachathewi, consort of Chiang Mai’s last monarch, Prince Keo Nawarat, stands as a testament to royal patronage. Wat Buak Khang’s murals, a masterpiece of the Shan school with Konbaung art influences, transport you to the 19th century. These vibrant depictions narrate the life of Buddha, from his Great Departure to his enlightenment. They also portray his ten previous lives, including Temiya, Sama, Nemiraja, Mahosadha, and Vidhura. Observe the unique bird’s-eye view perspective and the distinctive wavy lines separating the scenes, hallmarks of Burmese influence. Scenes of local Lanna life woven into the narrative offer a glimpse into the past. Sadly, time and termites have taken their toll on these artistic treasures. Some sections are missing, remnants of a past renovation. A recent restoration by Bangkok’s Academy of Fine Arts has breathed new life into these fading masterpieces. Wat Buak Khang’s current Ubosot is a newer addition, replacing the original structure located about a kilometer northeast. While the exact construction date remains a mystery, its elevation to Wisunkamsima status in 1954 marks its significance.