Dominican whispers echoed through the halls of Église Saint-Dominique. It was 1906. The newly completed church stood proudly on Avenue de la Renaissance. The Église Saint-Dominique, also known as the Church of the Dominicans, was a testament to the order’s return to Brussels. They had been expelled during the French occupation in 1796. After a century of absence, the Dominicans established a new convent in 1901-1902. The Église Saint-Dominique followed soon after. Construction began in 1904, led by architect Louis Corthouts. The church was originally dedicated to Our Lady of the Holy Rosary. The neo-Gothic style, crafted in brick, reaches towards the sky. A tall central nave is flanked by lower aisles. The sanctuary, slightly elevated, holds the choir stalls and culminates in a five-sided apse. Outside, a small tower with a bell turret is nestled against the sanctuary. Large stained-glass windows, created by Gustave Ladon of Ghent, illuminate the church. These windows depict scenes from the life of Saint Dominic and the mysteries of Our Lady of the Rosary. One graces the entire first floor of the facade, flanked by statues of Saint Dominic and the Virgin Mary. Others adorn the two side entrances. In 1911, the church’s organ, built by Salomon van Bever, first resonated within its walls. Today, the Église Saint-Dominique serves as the main church for the Dominican Order in Belgium. Though not a parish church, its proximity to the European Quarter makes it a hub for international cultural and ecumenical activities. While initially dedicated to Our Lady of the Rosary, the church now honors Saint Dominic, the order’s founder. Both church and convent are listed as protected architectural heritage of Brussels.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to