Gazing upon the revered icon of Panagia Portaitissa, can you sense the weight of centuries, the echoes of countless prayers? Here, within the sacred walls of Iviron Monastery on Mount Athos, resides an icon of profound spiritual significance. Panagia Portaitissa, “The Gatekeeper,” stands as a testament to faith, miracles, and the enduring power of the Theotokos, the Mother of God. The Panagia Portaitissa icon, believed to have graced this monastery since 999, is deeply venerated. Tradition holds that it was painted by Luke the Evangelist himself. This icon is a Hodegetria, meaning “She who leads the way.” Notice how the Christ Child sits on his mother’s left arm, and she points to him with her right hand, guiding our gaze, our prayers, towards him. A unique feature of the Panagia Portaitissa is the mark on the Virgin Mary’s right cheek, resembling a scar. Orthodox tradition recounts that a soldier stabbed the icon during the Byzantine iconoclasm, a period when religious images were outlawed and destroyed. Miraculously, blood flowed from the wound, a testament to the icon’s sanctity. The original Panagia Portaitissa icon at Iviron is encased in an ornate riza of silver and gold, a protective covering that adorns many revered icons. The precious metals frame the faces of the Virgin and Child, allowing their serene expressions to shine forth. Legend whispers that the icon was once owned by a widow in Nicaea. To protect it from destruction, she cast it into the Mediterranean Sea. Years later, it was miraculously recovered by a Georgian monk named Gabriel, who brought it to Iviron Monastery. The icon repeatedly moved itself to the monastery gates. A vision revealed to Gabriel that the Theotokos intended to be the monastery’s protector, hence the name “Portaitissa,” or “Gatekeeper.” Copies of the Panagia Portaitissa icon exist worldwide, and some are believed to be wonderworking as well. One such copy resided in Montreal, Canada, known for mysteriously streaming myrrh for fifteen years. Sadly, this icon was stolen in 1997. As you stand before Panagia Portaitissa, perhaps you feel a connection to those countless pilgrims who have sought solace and guidance in her presence. Her image, a beacon of hope and protection, continues to inspire awe and reverence.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to