Whispers of history echo around Saint John’s Church. Do you hear them? They speak of a time when Calcutta was young, a burgeoning capital under the British East India Company. Saint John’s Church stands as a testament to that era, one of the first public buildings erected after Calcutta became the seat of British power. Its foundation stone was laid in 1784 by Warren Hastings himself, on land gifted by Maharaja Nabo Kishen Bahadur. Imagine the scene: a bustling city rising around this nascent structure, built with stones hauled down the Hooghly River from the ruins of Gour. Saint John’s Church wasn’t just a place of worship. It served as Calcutta’s Anglican Cathedral until 1847, its spire reaching 174 feet towards the heavens, a beacon in the growing cityscape. Inside, sunlight streams through stained glass windows, illuminating a grand altar and Johann Zoffany’s remarkable “Last Supper,” a piece with its own fascinating tale. This painting isn’t a mere copy of Da Vinci’s masterpiece. It features local figures as models, a unique blend of European artistry and Indian context. The church walls whisper more stories. Memorial tablets and plaques commemorate British officers and civil servants, their lives intertwined with the history of Saint John’s. But beneath your feet, older stories lie dormant. Saint John’s Church was built upon an old graveyard. The tomb of Job Charnock, the founder of Calcutta, rests here. The Black Hole of Calcutta Monument, a somber reminder of a dark chapter in the city’s past, also found its final resting place within these grounds. Saint John’s Church is more than just bricks and stone. It’s a repository of stories, a tangible link to Kolkata’s rich and complex past. As you stand here, let the whispers of history wash over you, and imagine the lives that have intersected with this remarkable place.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to