Gazing across the tranquil expanse of Hauxton, can you envision a bustling settlement dating back over two millennia? Hauxton, nestled in Cambridgeshire, England, a mere five miles southwest of Cambridge, boasts a history deeply intertwined with the River Cam. This river, with its ancient ford near Hauxton Mill, has been a vital artery of life since the Bronze Age. A 14th-century bridge later complemented this natural crossing, solidifying Hauxton’s strategic importance. An early Iron Age settlement northeast of the mill, marked by a cemetery containing over 100 graves, stands as a silent testament to Hauxton’s continuous occupation through Belgic, Roman, and Anglo-Saxon times. Hauxton’s fate has long been linked with its neighbor, Newton. They shared a single manor, formed a unified civil parish until the 16th century, and remained a single ecclesiastical parish until 1930. Boundary disputes with Harston and Little Shelford finally concluded in 1800, establishing Hauxton’s parish at 239 hectares. In 970, the lands around Hauxton and Newton were promised to Bishop Aethelwold for the burgeoning Ely Abbey. King Edgar’s untimely death, however, sparked a series of land disputes, ultimately resolved by the Abbey’s purchase of the land. The Domesday Book records Ely Abbey’s ownership of the Hauxton manor, a possession it retained until the Dissolution of the Monasteries in 1539. The manor then passed to the Dean and Chapter of Ely Cathedral, where it remains today. Hauxton’s modern village extends along a street paralleling the River Cam. This street stretches from the historic London to Cambridge road, now the A10, towards Little Shelford. From the 14th century, a separate settlement known as Mill End flourished around the mill. Its growth accelerated when the road became a turnpike, leading to the establishment of two alehouses, the Ship and the Chequers, in the late 18th century. Hauxton’s name, evolving from Hafucestune in the 10th century to Hauochestun in the Domesday Book, signifies “Farmstead of a man called Hafoc.” By 1316, it was recorded as Haukestone. St. Edmund’s Church, the parish church, likely predates the Norman Conquest, though its dedication to St. Edmund dates to the 15th century. The existing 12th-century structure, with its chancel, nave, and 15th-century three-story west tower, remains largely unaltered. A hidden gem within the church is a contemporary painting of Thomas Becket, rediscovered in 1860.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to