Across the centuries, the Sajasang at Gyeongbokgung Palace has stood as a silent guardian. These majestic lion-dog statues, known as Komainu, have a rich history intertwined with the palace’s story. The Sajasang, like other Komainu, originated from Tang Dynasty China, evolving from a lineage of guardian lion statues that stretched back through Central Asia and to ancient India. They arrived in Korea with the spread of Buddhism. The term “Komainu” itself reveals this journey, deriving from “Koma,” the Japanese word for the ancient Korean kingdom of Goguryeo, and “inu,” Japanese for “dog.” At Gyeongbokgung Palace, the Sajasang serve their traditional role, protecting the sacred grounds from malevolent forces. They are a visible reminder of the cultural exchange that shaped East Asia. Notice how one Sajasang has its mouth open, while the other’s is closed. This represents the beginning and the end, the “a” and the “un,” symbolizing the duality of existence. They aren’t simply decorative; they are imbued with symbolism, adding to the mystique of this historic place. The Sajasang stand as testament to the enduring power of tradition and belief. They silently watch over Gyeongbokgung Palace, connecting us to a history that spans continents and centuries.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to