Sculpted in 1998, Jim Looking Back at Rosaleen holds a unique story here in New York City. Robert St. Croix, the artist, named this evocative piece. The statue itself isn’t directly related to the Statue of Liberty. Yet, its presence in this city of immigrants evokes the same themes of memory and connection to the past. Think about those millions who sailed past Lady Liberty, their eyes fixed on the promise of a new life. Jim, in his quiet contemplation of Rosaleen, echoes that sentiment. He represents the personal histories, the individual journeys that make up the larger narrative of immigration. The inscription on Jim Looking Back at Rosaleen notes it comes from the private collection of Lois and Richard Nicotra. This adds another layer to the story. It speaks to the power of art to connect with individuals. It reminds us that even amidst the grand symbols of freedom and democracy, the personal and intimate hold immense significance. Jim’s gaze is a poignant reminder of where we came from and what we hold dear.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to