Considered an outstanding example of modernist architecture, Haus Pölzig stands as a testament to the talent of Marlene Moeschke-Poelzig. She was the wife of the renowned architect Hans Pölzig. This Berlin home and studio, completed in 1930, embodies early 20th-century architectural innovation. It champions the emancipation of women architects.
Marlene met Hans Pölzig in 1918. Before that Hans transformed the Royal Academy for Construction and Arts and Crafts in Breslau into one of Germany’s most modern art and architecture schools. It became known as the “Bauhaus before the Bauhaus”. Now in Berlin, a significant project was on the horizon: the transformation of the old Berlin market hall on Schiffbauerdamm into a playhouse. Pölzig brought the young, talented sculptor into his studio and had her construct the spectacular palm columns. It was a huge success. The Grosse Schauspielhaus or “dripstone cave” of Berlin, made headlines across Europe as a unique architectural work. Subsequently, Marlene was repeatedly involved in Pölzig’s buildings, including the Haus des Rundfunks on Masurenallee.
The floor plan, furnishings, and garden at Tannenbergallee 28 largely remain. However, the roof suffered significant alterations post-1945, reflecting conservative post-war architectural tastes.
Haus Pölzig became a focal point. Journalists flocked to it. It was a rare “Frau Architekt” home during the Weimar Republic. Marlene’s house became one of Germany’s first architect-designed homes. The building was designed by a woman in a male-dominated field.
Inside Haus Pölzig, the children’s desires were fulfilled. The “Reich der Kinder” was remarkable. The children’s play area connected directly to the outside. This setup was unique for Berlin family homes.
After Hans Pölzig died, Regisseur Veit Harlan moved in. He had a cinema installed. The house survived the war unscathed. Post-war renovations replaced the flat roofs with pitched roofs. The architect’s studio was divided. Windows got bigger.
A citizens’ initiative has worked to preserve the building. They also seek to recognize the life’s work of Marlene Poelzig. Their long-term vision is a scholarship for female masters of Baukultur at Haus Marlene Pölzig. In 2021, artist Hannah Cooke installed a site-specific work honoring Marlene Poelzig as part of the Women in Architecture Festival.
Haus Pölzig represents a unique monument. It embodies the history of emancipation in architecture. It unites many narratives and historical layers. This includes uncomfortable ones making the house so special. Few examples of female modernist architects exist. We cannot stand by and watch this salvageable example disappear. Marlene Poelzig’s legacy deserves recognition. Her home must be preserved.