Hidden within Hamburg’s Farmsen-Berne district lies a remarkable testament to community spirit and architectural vision: Ensemble Gartenstadt Berne. This garden city, conceived amidst the post-war upheaval of 1919, blossomed into a vibrant neighborhood over the following thirteen years. Ensemble Gartenstadt Berne wasn’t just about building houses; it was about cultivating a lifestyle. Imagine families tending their own gardens, the air filled with the scent of ripening fruits and vegetables. These generous plots weren’t just for pleasure. They were designed to support self-sufficiency and even facilitated a unique wastewater disposal system through seepage. The arrival of the Walddörferbahn in 1912 had opened up this once rural area, making it ripe for development. The U-Bahn station at Berne, still standing today, hints at the ambitious urban planning of the era. Ensemble Gartenstadt Berne unfolded on 55 hectares of the former Berne estate. Between Beim Farenland, Berner Heerweg, Berner Allee, St. Jürgenstraße, and Kleine Wiese, 540 homes, mostly duplexes, took root. Each home offered an average of 73 square meters of living space. The distinctive plastered houses we see today, largely the work of architect Friedrich Richard Ostermeyer, showcase a unique blend of practicality and charm. The construction process itself was a story of communal effort. A sawmill and a concrete block factory were set up on site to empower the residents to build their own homes. These dedicated individuals, predominantly trade unionists and social democrats, spent their Sundays laying bricks and spreading plaster. While the initial self-build approach was eventually abandoned due to cost inefficiencies, the spirit of cooperation remained. Ostermeyer’s leadership saw the Ensemble Gartenstadt Berne expand rapidly, adding between 60 and 100 houses annually. The earlier row houses along Berner Heerweg, designed by Prestinari, gave way to single-story plastered duplexes between 1921 and 1924. The brick-clad, sometimes two-story houses surrounding the Berner Wald, appeared later, after 1925. A shift in architectural style is evident in the buildings opposite the Berne manor house, constructed between 1929 and 1930. These brick structures embody the principles of the Neues Bauen (New Building) movement. The Gartenstadt Hamburg eG cooperative, which oversaw the construction, remains the owner and landlord to this day. To complete the community, Fritz Schumacher designed the Lienaustraße school, catering to the growing families of Ensemble Gartenstadt Berne. Today, much of the Ensemble Gartenstadt Berne stands protected as a historic monument, a testament to a unique period in Hamburg’s history. This recognition underscores the importance of preserving not just the buildings, but the spirit of community that shaped them.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to