Sculpted in the tender embrace of a mother and child, the Frau mit Kind statue in Berlin’s Volkspark Friedrichshain holds a story within its marble form. The Frau mit Kind statue isn’t just a statue. It’s a time traveler, a silent witness to a bygone era. Originally, the Frau mit Kind, created by Edmund Gomansky in 1898, graced a magnificent granite bench on Andreasplatz. This wasn’t just any bench. It was a monumental piece, a symbol of the area’s burgeoning industry and craftsmanship, designed by Hermann Blankenstein. The bench featured a bronze Berolina head and two marble groups. The Frau mit Kind statue was one, positioned on the right flank. On the left stood Wilhelm Haverkamp’s “Handwerker mit Sohn” (Craftsman with Son). The Frau mit Kind statue, along with its companion piece, survived the tumultuous years of war, though their grand bench did not. In 1960, the Frau mit Kind statue found a new home in Volkspark Friedrichshain. She stands on a new, simpler sandstone pedestal, a stark contrast to her original granite perch. Look closely at the statue. You can see Gomansky’s mastery of naturalistic detail, a hallmark of the late conservative Berlin sculpture school. The Frau mit Kind statue is more than just a depiction of a mother and child. It’s a fragment of Berlin’s rich history, a reminder of a time when art and industry intertwined. It’s a testament to the enduring power of art, surviving war and relocation to continue sharing its quiet story with us today.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to