Sculpted against the sky, the Hand mit Zeichenstift makes a bold statement. It’s a massive aluminum hand grasping a drawing pen. Here at the entrance of the Fachhochschule Düsseldorf’s Design and Architecture department, it’s a fitting tribute to creativity. The Hand mit Zeichenstift was installed on June 13, 1985. It was created by Klaus Kammerichs, a German sculptor and photographer who also teaches at the university. The sculpture is almost 5 meters high. It’s a striking example of Kammerichs’ “photosculptures.” He translates light into three-dimensional form. His designs start with photographs. He overlays them with a grid of lines. Each line represents a level of brightness, from deepest dark to brightest light. The sculptures are three-dimensional extensions of this grid. They are layers of relief, each corresponding to a tone value. The back layers are the darkest. The front layers are the lightest. From a distance, the Hand mit Zeichenstift appears flat, like a picture. Up close, its three-dimensional character is revealed. Kammerichs often chooses everyday objects as his subjects. He is also known for portraits. His “Beethon” photosculpture in Bonn has become a popular landmark. Here in Düsseldorf, the Hand mit Zeichenstift stands as a testament to the power of design and the artist’s hand.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to