Antonio de Lara, better known as “Tono,” left an indelible mark on Spanish humor. Right here at the ANTONIO DE LARA “TONO” Plaque, we celebrate his life and work. This plaque, adorning the building where he lived and worked, proclaims him one of the creators of “La Codorniz.” “La Codorniz” was a satirical magazine that became a wellspring of a new wave of Spanish humor. Born in Jaén in 1896, Tono’s early life saw him move to Cuenca and then Valencia, where he began his journalism career. His artistic talents blossomed in Madrid, contributing to publications like “La Esfera,” “Nuevo Mundo,” and “Buen Humor.” It was during this time he adopted the pen name “Tono.” Tono’s theatrical debut came in 1919 with the avant-garde play “Sueño de opio.” He later spent time in Paris, immersing himself in the artistic scene and befriending Luis Buñuel. He even ventured to Hollywood, becoming a highly paid screenwriter. Upon returning to Spain, he worked with the Chamartín film studios. During the Spanish Civil War, Tono’s collaboration with Miguel Mihura flourished. They co-founded the humorous weekly “La Ametralladora” and co-wrote plays. This partnership extended to film with “Un bigote para dos.” The immensely popular “La Codorniz” emerged from “La Ametralladora” in 1941. Tono also founded the magazine “Cámara” that same year. His literary output increased in the 1940s, with contributions to publications like “Semana,” “Blanco y Negro,” “Arriba,” and “ABC.” Tono’s creativity spanned various forms, from drawing to playwriting. He wrote over 40 comedies and even novels. The ANTONIO DE LARA “TONO” Plaque stands as a testament to a man who dedicated his life to making Spain laugh. He passed away in Madrid in 1978, but his legacy lives on through his work and the memories held within these very walls.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to