Behold the Nanas. Three larger-than-life figures stand before you. They are not just sculptures. They are a statement. A testament to a city’s vibrant spirit and a symbol of a fierce debate.
These magnificent Nanas are the work of Niki de Saint Phalle. A pioneering Pop Art artist. She created these voluptuous female forms in 1974. They stand proudly on the Leibnizufer der Leine. They are more than five meters tall. Each Nana is made of fiberglass and polyester paint. They are vibrant and colourful. Their joyful poses exude energy and a zest for life.
Their arrival was not without controversy. Many older Hannoverians protested. They felt the 180 000 DM spent on the Nanas should have gone to schools and hospitals. They saw the sculptures as unnecessary. A frivolous waste of city funds. Young people however embraced them. They saw the Nanas as a symbol of a modern and artistic Hanover.
The debate became intense. It spilled over into public forums. A tug-of-war even took place. Supporters and opponents clashed. The supporters of the Nanas eventually won. The Nanas remained.
Over the years the Nanas have undergone several restorations. Early attempts used harsh chemicals. This damaged the paint. Later restorations involved careful repairs and repainting. They were even dismantled and painstakingly restored in a workshop. This ensured the Nanas would continue to bring joy to Hanover for years to come.
Today the Nanas are beloved. They are iconic symbols of Hanover. They reflect the city’s commitment to public art. They stand as a reminder of a time when art sparked passionate debate. They are a lively part of the city’s cultural landscape. More than just sculptures the Nanas are a testament to the power of art. They embody the playful and wicked spirit of modern womanhood. They are Hannover’s queens.