Gazing upon Unity Temple of New Orleans, one might think they’ve stumbled upon a stack of dinner plates. This unique building, located on St. Charles Avenue, is a testament to mid-century modern architecture. Unity Temple of New Orleans opened its doors in 1961. Its circular design, a brainchild of architect Leonard Spangenberg, stands out amidst the more traditional architecture of the Garden District. Spangenberg, a student of Frank Lloyd Wright at Taliesin West, incorporated Wright’s philosophy of organic architecture. The overlapping circles aren’t just visually striking. They symbolize unity and eternity for the New Thought spiritual group that calls this place home. The design, with its two interlocking disc-shaped wings and domed roofs, was a bold statement in the 1960s. Neighbors, accustomed to the area’s conservative style, initially disliked the modern aesthetic. Inside Unity Temple of New Orleans, the circular motif continues. From the skylights to the light fixtures, even the flower beds outside echo this shape. Spangenberg believed in creating a unified work of art, where every detail contributed to the whole. He envisioned the interior as “plastic and flowing, light and cheerful”. The continuous bands of Plexiglas clerestory windows and circular skylights certainly achieve this. Interestingly, a rectangular extension was added to the sanctuary in 1987. However, it’s cleverly positioned so as not to disrupt the original circular design from St. Charles Avenue. Unity Temple of New Orleans remains a striking example of 20th-century design. It stands as a testament to Spangenberg’s vision and a unique spiritual home in the heart of New Orleans.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to