Beneath the watchful gaze of Walther Tell, a silent sentinel perched on the Haus der Schweiz, lies a tale woven from Sperrmark and Swiss ingenuity. The Haus der Schweiz, a sturdy structure of Muschelkalk and steel, stands as a testament to a unique chapter in Berlin’s history. Commissioned by a consortium of Swiss entities – the Schweizerische Bodenkreditanstalt, Bank Leu, and the Swiss Federal Railways – the Haus der Schweiz emerged between 1934 and 1936. It was the brainchild of architect Ernst Meier-Appenzell, who subtly incorporated Swiss architectural elements into a design that also adhered to the prevailing National Socialist aesthetic. This balancing act is visible in the building’s robust form and simple facade, punctuated only by the large “Haus der Schweiz” lettering and the figure of young Walther. The building’s genesis lies in the peculiar predicament of “Sperrmark,” German Reichsmark held by Swiss companies that couldn’t be easily transferred back to Switzerland due to Nazi restrictions. Investing these funds in Berlin real estate became a strategic solution. The Haus der Schweiz was not just a financial investment. It was a symbol of Swiss presence in the heart of Berlin, located at the bustling intersection of Unter den Linden and Friedrichstrasse. The choice of Walther Tell instead of his more famous father, William, was a clever maneuver. The Nazis, wary of celebrating a Swiss symbol of freedom, might have objected to a statue of William Tell. Walther, however, posed no such threat, allowing the Swiss to subtly assert their national identity. The Haus der Schweiz survived the war relatively unscathed, a lonely sentinel amidst the ruins. While the Swiss occupants had fled, the building remained Swiss property, a curious anomaly in East Berlin. The East German government, while nationalizing surrounding properties, allowed the Haus der Schweiz to be administered as foreign property, perhaps hesitant to antagonize Swiss banks. The building housed various East German institutions, including a Sparkasse and the Deutsche Aussenhandelsbank. Following reunification, the Haus der Schweiz underwent extensive renovations, briefly regaining its “Swiss spirit” as it housed Schweiz Tourismus and the Deutsch-Schweizerische Handelskammer. Today, the Haus der Schweiz remains, a silent witness to the ebb and flow of history. Its story, a blend of financial pragmatism, architectural ingenuity, and a touch of Swiss defiance, echoes in the quiet rhythm of Berlin life.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to