Beneath the glass and steel of Galerie Ravenstein, echoes of history whisper. This isn’t just a shopping arcade. It’s a bridge through time, connecting Brussels’ lower and upper towns. Around 17,000 people walk through Galerie Ravenstein every day. Imagine them, each a traveler on this modern-day Pollepelstraat. This very spot once housed the palace of Cardinal Granvelle, a powerful figure in the 16th century. The gallery itself, built between 1954 and 1958, replaced the old Pollepelstraat during the construction of the North-South Junction. Architects Alexis and Philippe Dumont, also known for the nearby Shell building, designed Galerie Ravenstein in the International Style. The gallery’s design pays homage to 19th-century covered passages, creating a sense of continuity amidst the bustling city. Look up and admire the concrete and brick vault, a modern interpretation of classic architectural elements. In the central atrium, a magnificent concrete cupola inlaid with glass bricks bathes the space in natural light. As you stroll through, you’ll notice the ceiling adorned with Jean-Ado Baltus’s captivating paintings depicting winds, constellations, and the elements. These artistic touches add another layer of richness to the gallery’s ambiance. Galerie Ravenstein isn’t merely a pathway. It’s a vibrant hub, home to around eighty shops and offices. It’s a place where past and present intertwine, where the echoes of Cardinal Granvelle’s palace mingle with the chatter of shoppers and the aroma of coffee. As you exit Galerie Ravenstein, whether towards the Central Station or the Royal Palace of Fine Arts, remember the layers of history beneath your feet.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to