“Why are they reaching for the sky?” That’s the question I always hear when people first see Trialogue. This magnificent bronze sculpture graces the entrance of Plaza Côte-des-Neiges in Montreal. It is the work of the internationally renowned artist Hans Schleeh.
Let’s delve into the story of Trialogue. Hans Schleeh, a German-Canadian artist born in 1928, created Trialogue. He was born in Koenigsfeld, a romantic town in the Black Forest. Schleeh honed his skills with sculptor Richard Class in Lahr. He then traveled through France, Switzerland, and Germany. These travels enriched his artistic knowledge.
In 1951, Hans Schleeh made Montreal his home. At just 23, he embarked on his career. He crafted sculptures for churches in Quebec. Notably, he contributed to the basilica of Sainte-Anne-de-Beaupré.
From 1953 to 1960, Schleeh gained recognition through several major exhibitions. The Dominion Gallery hosted a solo exhibition of his works in 1960. This success led him to the New Art Centre Gallery in New York in 1962.
Schleeh embarked on a fifteen-month study trip to Europe in 1963. He sought inspiration from French, Italian, Swiss, and German masters.
Trialogue shares a motif with another of Schleeh’s works named Affinités. Both feature a circle of three figures. But Trialogue’s figures are slender. Each stands on one leg. Their fists are raised towards the heavens. Schleeh crafted Trialogue in the same year as Affinités. For both, he used hammered and welded copper sheets. This was a departure from his usual medium of marble.
Hans Schleeh’s works are part of significant collections in Europe and North America. These include The Art Gallery of Winnipeg and The Vancouver Art Gallery. Also, his art is showcased at the Université de Sherbrooke and Queen’s University. His talent was recognized in specialized literature. He is featured in “Kuenstler-Lexicon des 20 Jahrhunderes”. Sir Herbert Read also mentions him in “The Concise History of Modern Sculpture”.
Trialogue stands as a testament to Schleeh’s artistic vision. It invites viewers to contemplate the human condition. It prompts reflection on aspirations and connections. So next time you pass by, take a moment. Consider what these figures are reaching for. Perhaps it is hope, unity, or simply a connection to something greater than themselves.