From a quiet country lane to a bustling street, the Rue Adolphe Vandenschrieck has seen Jette transform around it. The street itself is a relatively new addition to the Brussels landscape. Originally a local route marked on Vandermaelen’s map from 1846-1854, it officially became a street in the late 19th century. Royal decrees from 1884 and 1892 solidified its place in Jette’s urban fabric. Initially called “Petite rue de l’école” – a nod to the communal school down the way on Rue Henri Van Bortonne – the street later received its current name. It honors Adolphe Vandenschrieck, who served as Jette’s mayor from 1885 to 1895. Imagine walking down Rue Adolphe Vandenschrieck at the turn of the 20th century. The odd-numbered side showcased rows of modest, uniform houses built between 1880 and 1910. Entrepreneurs erected both worker’s homes (numbers 79 to 115 in 1898) and more bourgeois residences (like numbers 43 to 49 in 1903). At numbers 73-77a stood the grand Dhuicque country house, built for the mistress of renowned architect Henri Beyaert. Though renovated and partially demolished, remnants of its eclectic, picturesque 19th-century style can still be seen. The even-numbered side of Rue Adolphe Vandenschrieck developed later, from just before World War I through the interwar period. Here you find a mix of architectural styles. A neoclassical bourgeois house at number 56 stands alongside eclectic, polychrome-faced homes at numbers 104 and 106 (built in 1913). Further down, number 46 displays Art Deco elements, a testament to the Consortium Technique Bruxelles’ work in 1939. An industrial giant once occupied numbers 94-102 on Rue Adolphe Vandenschrieck and stretched to Rue Henri Werrie. This was the Odon Warland cigarette factory, founded around 1915-1920. Expanded and redesigned several times by architect Joseph Bijtebier, the factory later became Jette’s administrative center from 1950 until 2004-2005. Today, these once bustling factory floors have been transformed into modern apartments. The Rue Adolphe Vandenschrieck reflects Jette’s own evolution. From a quiet lane serving a local school, it grew alongside the municipality. It housed workers and the wealthy, factories and municipal offices. It’s a microcosm of Jette’s history, etched in brick and stone, waiting to be discovered.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to