Gazing upon the Igreja Matriz de Lamelas, one can’t help but feel a sense of history whispering through the stones. This church, once known as Santa Eulália de Lamelas, has roots reaching back to the 11th century. A document from 1044 mentions the church, referring to it as “sancta eolalia”. The Igreja Matriz de Lamelas is more than just a building. It’s a testament to the enduring spirit of Lamelas. The church has seen the village grow and evolve. It has served as a constant through centuries of change. Its very stones echo with the stories of the people who have worshipped here. In 1258, inquisitions referred to the church as “Sancta Ovaia de Lamelas”. This shift in name, from Eulália to Ovaia, adds a layer of intrigue to the church’s history. By the mid-16th century, records show both names used interchangeably, a testament to the evolving nature of language and local traditions. The Igreja Matriz de Lamelas stands as a symbol of the rich history of Lamelas itself. The village was originally part of the county of Refojos de Riba d’Ave. In 1836, it became part of Santo Tirso. This transition reflects the shifting political landscape of the region. The church, however, remained a steadfast presence in the community. The Igreja Matriz de Lamelas also offers a glimpse into the artistic heritage of Lamelas. Antónia Mascarenhas Malafaia, the second wife of the renowned architect Nicolau Nazoni, was born in Lamelas. Nazoni, known for his contributions to Baroque and Rococo architecture in Porto, left an indelible mark on the region. The connection between Lamelas and this influential architect adds another dimension to the church’s story. Today, the Igreja Matriz de Lamelas continues to serve the community, offering a place of worship. It also stands as a reminder of the village’s rich past. The church’s enduring presence speaks volumes about the importance of faith. It also signifies the strength of community throughout the ages.
Центральный дом работников искусств
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