Amidst the bustling energy of Brussels’ Schuman roundabout, stands a poignant testament to resilience: the Wounded but Still Standing in Front of the Inconceivable sculpture. This memorial, crafted by Belgian artist Jean-Henri Compère, serves as a solemn reminder of the tragic terrorist attacks that shook Brussels on March 22, 2016. The Wounded but Still Standing in Front of the Inconceivable sculpture was unveiled on March 22, 2017, exactly one year after the devastating attacks at Brussels Airport and Maelbeek metro station. The sculpture’s official name, in both French and Dutch, reflects the city’s bilingual nature: “Blessés mais toujours debout face à l’inconcevable – Gewond maar steeds overeind tegenover het onbegrijpelijke.” Compère’s vision was to create a piece that resonated with the city, embodying its strength and capacity for healing. He envisioned the Wounded but Still Standing in Front of the Inconceivable sculpture evolving with time, its sheen reflecting the passage of years and the city’s ongoing recovery. The sculpture itself comprises two massive stainless steel slabs, each stretching 20 meters long and reaching 2 meters high. These slabs rise towards the sky, symbolizing hope and defiance in the face of unimaginable tragedy. The Wounded but Still Standing in Front of the Inconceivable is more than just a memorial to the 2016 attacks. It also honors the victims of other terrorist atrocities that have scarred Europe and Africa, including those in Paris, Nice, Bamako, and Sousse. Located near the European Commission and the European Council, the Wounded but Still Standing in Front of the Inconceivable sculpture is often surrounded by the activity of protests and demonstrations. Unfortunately, this has sometimes led to disrespectful behavior towards the memorial, a concern for both residents and victims’ families. While the location provides a platform for free expression, it’s crucial to remember the sacred purpose of the sculpture and the sensitivity it deserves. The Wounded but Still Standing in Front of the Inconceivable stands as a symbol of hope, resilience, and the enduring human spirit. Its presence in Brussels serves as a constant reminder of the importance of unity, compassion, and remembrance in a world grappling with the unthinkable.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to