Lost? Here in the heart of Brussels, amidst the bustling city, stands Le Messager – Aux Enfants disparus – De Bode – Aan de vermiste kinderen. This sculpture, “The Messenger to Missing Children,” carries a weight far heavier than its bronze form. It stands as a poignant reminder of a dark chapter in Belgian history, a silent tribute to the young lives forever altered by the horrors of the Dutroux affair. Le Messager, created by artist Jean-Michel Folon and installed in 1997, isn’t just a statue. It’s a focal point for remembrance and reflection. Queen Mathilde herself visited this very spot to pay her respects, marking the 25th anniversary of the White March, a massive demonstration against pedocriminality that shook Belgium to its core. Le Messager – Aux Enfants disparus – De Bode – Aan de vermiste kinderen is a response to that collective trauma. It acknowledges the pain and suffering caused by Marc Dutroux and others like him. The sculpture’s presence serves as a constant reminder of the ongoing fight against child exploitation. While the Dutroux affair brought the issue to light in the most horrific way, the fight continues. Organizations like Child Focus, founded in the wake of the White March, work tirelessly to protect children and prevent further tragedies. Le Messager – Aux Enfants disparus – De Bode – Aan de vermiste kinderen isn’t just about the past. It’s a symbol of hope for the future, a beacon of light in the darkness, a testament to the resilience of the human spirit. It reminds us that even in the face of unspeakable tragedy, we must never give up hope. We must continue to fight for the safety and well-being of all children.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to