A powerful image greets you. The Justice for Missing and Murdered Indigenous Women mural dominates the side of a three-story building. It’s a stunning piece of art. It commands attention on Boulevard Saint-Laurent Montreal’s main drag.
This isn’t just any mural. It’s a tribute. A powerful statement. The Missing Justice collective commissioned it. Artists Fanny Aisha Guko and Monk-E brought the vision to life. They unveiled it in July 2014. The mural celebrates the lives of Indigenous women. It also denounces the injustice they face. It serves as a constant reminder of the ongoing fight for justice.
The central figure is striking. She’s draped in a shawl. Stars and circling hawks adorn her head. A candle glows in her hands. The warm light illuminates her face. Above her in bold letters the words JUSTICE for Missing and Murdered Indigenous Women stand out.
The image itself is significant. It’s based on a photograph. The photo depicts Kahnawake’s Kahawinontie. She’s a member of the Bear Clan. The photo was taken during a march. The march supported the cause of missing and murdered Indigenous women. Kahawinontie’s presence at the mural’s unveiling was deeply meaningful.
She shared her interpretation of the image. The sadness of loss is clear. Yet the light in the woman’s hands symbolizes hope. It conveys a message of perseverance. A refusal to let go. Kahawinontie’s participation wasn’t accidental. Her upbringing instilled a responsibility to seek justice.
The mural’s impact extends beyond its visual power. It provides a presence for the missing women. It gives them a place within the city. Monica Van Schaik a member of Missing Justice explains this intention. The mural’s creation followed years of discussion. The goal was to create a visual presence for this critical issue in Montreal.
The unveiling was a significant event. Speakers musicians and even hoop dancers performed. Bridget Tolley’s presence was especially powerful. She’s a leader in the movement for justice. Her mother Gladys Tolley was tragically killed by a police car. This tragedy was a catalyst for action.
The mural isn’t just about the women of British Columbia’s Highway of Tears. It also acknowledges the Quebec women affected by this crisis. The tragic loss of Tiffany Morrison in Montreal highlighted the local implications of the issue. Missing Justice formed in response to this lack of awareness and action.
Elder John Cree’s words at the unveiling resonate. He emphasizes the need to fight for justice. The silence surrounding this issue has lasted too long. He points out the cultural tendency to deal with such losses internally. The time has come for collective action. This mural stands as a testament to that call for justice. It is a powerful symbol of hope and a poignant reminder. It’s a legacy for the missing and murdered Indigenous women of Canada.