The church before you, Santa Maria in Montesanto, is more than just a beautiful facade. It’s a treasure chest of stories, a place where art, faith, and history intertwine. Known by many as the “Church of the Artists”, Santa Maria in Montesanto holds a special place in the heart of Rome. Its story begins in the 17th century, under the watchful eye of Pope Alexander VII. He envisioned a grand entrance to the city, marked by twin churches. Santa Maria in Montesanto, designed by Carlo Rainaldi, was to be one half of this vision. Although the Pope died before its completion, the work continued under the guidance of the great Gian Lorenzo Bernini and later Carlo Fontana. This change in hands led to a fascinating blend of architectural styles. While its “twin”, Santa Maria dei Miracoli, boasts a circular design, Santa Maria in Montesanto embraces an elliptical form, a testament to Bernini’s influence. Inside, six side chapels unveil artistic treasures. Look for the Cappella Montioni. It houses an altarpiece by Carlo Maratta, a prominent figure in the Roman art scene. The church’s connection to art deepened in the 20th century. In 1953, it became the home of the “Mass of the Artists,” a tradition initiated by Monsignor Ennio Francia. Every Sunday, the church resonates with music and readings, often performed by actors, celebrating the profound bond between faith and artistic expression. Even the final farewells held here often belong to those who graced the world with their creative gifts. Santa Maria in Montesanto stands as a testament to the enduring power of art and faith. It’s a place where every brushstroke, every note, every prayer seems to echo through the ages, reminding us of the beauty that human hands and hearts can create.
Hauptfriedhof
Lost in time stands the Hauptfriedhof Trier. A tranquil expanse in the bustling city it’s more than just a cemetery.